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Published in Art on Paper, July 2007
Published in Flash Art, June 2008
‘Chomsky’s anecdotes, and the detailed information that he relays in a wide-sweeping vision of our decadent and deadly culture, hold the viewers in thrall… It is the compassion with which Chomsky delivers his statement and the depth of thought which underpins all his answers that irresistibly engenders a deep adoration for this man.’
Published in Art of England, April 2008
Published in Time Out, 5 March 2008
‘I was cutting up headlines into phrases and [my daughter] began writing them out as part of her homework. She’s doesn’t understand what she’s writing yet – things like “Catastrophe is always elsewhere” – but we’re all bombarded with this weird concrete poetry now, either in the papers or in email spam.’ - Cornelia Parker
http://www.timeout.com/london/art/features/4366/Cornelia_Parker-interview.html
Published in Metro, 20 February 2008
‘She avoids straightforward diatribe, however, creating brief portraits of silence. Between Chomsky’s answers her voice is absent. Instead, we see Chomsky listening, blinking, nodding, gulping, flaring nostrils, pursing lips and adjusting his glasses.’
Published in The Times, 12 February 2008
‘Parker has always had an apocalyptic vision. “I suppose I have always been alert to the fragility of the world, and I have always been interested in addressing our fears of destruction,” she says.
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article3351184.ece
Published in The Guardian, G2, 12 February 2008
What was the most important thing I learned from Chomsky? That capitalism compels us to work ourselves to death in order to stuff our houses with things we don’t need. Perhaps this is one thing art can do: create a new aesthetic, one of austerity.
http://arts.guardian.co.uk/art/visualart/story/0,,2255812,00.html
Published in re-title.com, February 2008
http://www.re-title.com/exhibitions/archive_DAmelioTerras1203.asp
Published in Art Monthly, November 2007
Published in The Observer, 30 September 2007
Attempting to explain her scattershot obsessions, Parker has sometimes referred to herself as an artist of resurrection, intent on giving found objects new life in a different setting.
http://arts.guardian.co.uk/art/visualart/story/0,,2180135,00.html
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