17-18 Golden Square, London W1F 9JJ
T +44 (0)20 7494 1550 ~ F +44 (0)20 7287 3733
24 March – 9 April 2017
Massimo Bartolini will be featured in the exhibiton ‘The City, My Studio / The City, My Life’ curated by Philippe Van Cauteren as part of the 2017 Kathmandu Triennale. It will take place at multiple locations across Kathmandu including Siddhartha Art Gallery, Patan Museum, Taragaun Museum, and the Nepal Art Council.
Chromatic Scale: Prints by Polly Apfelbaum
National Museum of Women in the Arts, Washington D.C.
10 March – 2 July 2017
Featuring prints in NMWA’s collection along with complementary loans, Chromatic Scale takes a focused look at Apfelbaum’s print work, a part of her oeuvre that has not been extensively studied, and examines how the artist extends the conventional boundaries of color and technique.
The Museum of Modern Art, New York (MoMA)
Thursday 23 February, 19:30
Ascent presents Mount Fuji, the holy Japanese volcano, in every shot of this kaleidoscopic compilation of photos. Balancing between documentary and fiction, this filmic experiment is illuminated by a soundtrack of an English woman’s voice reminiscing about her dead Japanese lover who once climbed the volcano.
Geography of Time
Tel Aviv Museum of Art, Tel Aviv
17 February — 24 June 2017
Artist Talk: Friday 17 February, 12pm
This exhibition is chronologically situated between May You Live in Interesting Times (1997), Fiona Tan’s early autobiographical film, and Nellie (2013), a portrait of Cornelia van Rijn, Rembrandt’s illegitimate daughter, who emigrated from Amsterdam to Indonesia at the age of 16. Comprised of four major video installations by the artist, including Lapse of Memory (2007) and Diptych (2006 -11), the exhibition explores relationships between the still image, moving image and sound, as well as their spatial and architectural dimensions.
De Pont Museum, Tilburg
11 February – 11 June 2017
As part of De Pont Museum’s 25th anniversary celebrations Fiona Tan has been invited to exhibit in the newly renovated and extended museum. Centered on Tan’s 2016 audiovisual and photographic installation Ascent, the new solo exhibition also includes work by the artist from the past decade, as well as several new pieces.
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