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Published in The Pitch, 24-20 June 2004 ( p 31 )
It’s the intricacies of Apfelbaum’s art that make it so intriguing. The aesthetic elements—wild colors, soft textures, dramatic tonal gradations, a multitude of shapes creating visually kinetic patterns—captivate the eye and suggest endless possibilities.
Published in Art in America, January 2004
(Apfelbaums) installation at the ICA was glorious, perhaps the most beautiful midcareer survey I’ve ever seen. The earlier, more object-insistent works were upstairs, with tour of the artist’s major, room-filling floor assemblages of cut and dyed fabric occupying the ground floor. To cap it off, Apfelbaum introduced an audacious new piece as an architecturally unifying gesture by covering the walls that form the two-story atrium space with wallpaper patterned in stacks of 1-inch monochrome ovals, open in their centers like zeros.
http://findarticles.com/p/articles/mi_m1248/is_1_92/ai_112131277
Published in The Cincinnati Enquirer, December 2003
Published in Art US, November - December 2003
Published in The Boston Globe, November 2003
Published in Artforum, October 2003
Published in Visual Arts Journal, Fall 2003
Published in Art Matters, July 2003
Published in Time Out New York, May 2003
Published in The New York Times, May 2003
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