"Eventually, these burdensome images undergo a watery metamorphosis, enriched by unfixed pools of paint that seep into one another, rendering the primary sources wells of evocative suggestion." – Sean Burns
Sean Burns, assistant editor at Frieze, profiles Marlene Dumas in the September issue on the occasion of her show Mourning Marsyas at Frith Street Gallery.
Read the full article via the Frieze website
29 Jul 2024