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Published in the Telegraph, Culcutta, August 2010
http://www.telegraphindia.com/1100827/jsp/opinion/story_12854333.jsp
Related Artists: Dayanita Singh
Published in The Independent, July 2010
Related Artists: Fiona Banner
Published in Art Monthly , July 2010
Related Artists: Fiona Banner
Published in The Guardian , June 2010
Banner’s Harrier and Jaguar has upped the ante both of her own art, and of the Duveens commissions. This is more than a familiar transposition of two readymade objects from the hangar or the war zone into Tate Britain’s neoclassical galleries. It is a timely and well-placed work, which enters into a dialogue not just with the decorum of its architecture, but also with space.
Related Artists: Fiona Banner
Published in The Daily Telegraph, June 2010
http://www.telegraph.co.uk/culture/art/art-features/7838693/Cornelia-Parker-interview.html
Related Artists: Cornelia Parker
Published in The Guardian , June 2010
http://www.guardian.co.uk/artanddesign/2010/jun/21/fiona-banner-interview
Related Artists: Fiona Banner
Published in Tate ETC., June 2010
http://www.tate.org.uk/tateetc/issue19/banner.htm
Related Artists: Fiona Banner
Published in Sight & Sound, June 2010
Dean has a habit of chopping her wide screen into discrete-and a fearless willingness to let nothing happen in some of those segments for minutes on end. It’s a technique that pays off in some heart-stopping scenes: the sudden appearance of an exhausted dancer in the space beside a close-up Cunningham; the ponderous looming into shot of a huge ship in the harbour: the almost prissy movement of a thin mast behind the robust bodies of the dancers.
Related Artists: Tacita Dean
Related Exhibitions: Tacita Dean: Craneway Event
Published in The Guardian , May 2010
http://www.guardian.co.uk/artanddesign/2010/may/25/cornelia-parker-interview
Related Artists: Cornelia Parker
Published in The Scotsman, May 2010
The most striking of these new works is Landscape with Gun and Tree by Cornelia Parker. She has made a replica of a shotgun nine metres high in steel and rusty iron. It leans against a tree, its barrel cradled in the upper branches as though a giant had casually left it there, gone away and forgotten it. The iconography of gun and tree invokes the long tradition of sporting portraits. The model is Robert Wilson’s own gun and so obliquely, it implies his portrait.
http://news.scotsman.com/arts/Art-review-Jupiter-Artland.6300419.jp
Related Artists: Cornelia Parker
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